An Audience of One


Photo Credit-Jim Richardson

I just visited a website of an unnamed person doing the DS106 digital storytelling course and I experienced a classic error that my own students tend to do when I ask them to publish school work in a blog format. That person wrote for an audience of one – the teacher. There was a generic reference to the chapter, but no indication of what the text might have been. So a random visitor from the Internet – me, has no context for what I am reading and no way to learn more about it myself.

Have you ever stumbled into a conversation that really wasn’t meant for you? Awkward, isn’t it? That is what these sort of posts do to the reader. How much better would it be to envision a broader possible audience and write to that audience? After all, whenever you publish anything to the web, indeed you do have a very broad potential audience, don’t you?

I think students everywhere would do well to adopt this practice in all of their classes, and their writing would immediately improve. Stop writing for an audience of one – the teacher, and start writing for a broader audience. What might your grandmother want to know about this topic? A long-lost friend? A random stranger on the street? How would having a larger audience upon whom you would like to make a good impression affect the tone and style of what you write?

If you will simply write for this larger audience in mind, and stop writing what you think your teacher might wish to hear, everyone involved will appreciate it, including your teacher, because you will be doing better writing.

 

 

Happy 50th Star Trek!

Fifty years ago, one of the best television shows ever made was first aired – Star Trek! We love Star Trek at my house. A few years ago I made this video of myself and I thought it appropriate for today.

But then I saw this tweet:

So we made this video in our Digital Media class. Sulu, get those shields up!

Thanks to Paul Bond for sharing the idea with us and the commentary. http://blog.raptnrent.me/2016/09/08/awesome-moments-of-spontaneous-creativity/

PS I made a vector of Spock in celebration of Star Trek 50 too!

Spock Vector Drawing

What A Crappy Font Will Do

John Deere Logo

This is a DS106 visual assignment that challenges us to remix an existing corporate logo with a bad font (or an improved font). At 4 stars, I think the difficulty rating is somewhat inflated. Granted, I’ve been doing this kind of work for a while, but this assignment only took me 5 minutes to complete. It is taking me longer to create and publish a post about it.

My process used was simple. I did a Google image search for the “John Deere Logo.” Then I downloaded the image and placed it into Adobe Illustrator. I used a clipping mask to remove the old John Deere Text. Then I used the text tool to reset the type in the over-used Papyrus font. I then saved the image as a PNG graphic and uploaded to this website. Boom- done! My rating for the assignment difficulty was a 1 star. For a beginner with no graphic-making experience, it might take a little longer, but certainly no more than 2 or 2.5 stars.

So to take it up a notch, I followed Paul Bond’s lead and put the Papyrus font onto a John Deer product.

This took more time than the original assignment. I had to find a tractor using Google once again. Then I used the clone tool of Photoshop to remove the original John Deer lettering. I tried using Photoshop to add the lettering back in, but I wasn’t pleased with how it turned out, so I saved the edited photo as a JPG and brought it back into Illustrator, where I used the text tool to set the type. I then saved the photo as a web ready JPG image. Here is the result:

John Deere Tractor

Experts Talk Storytelling

Storytelling is hard. I’ve been studying it for some time, and I’m always learning. One book that I’ve enjoyed reading is Notes to Screenwriters by Peterson & Nicolosi.

Below are some of the best videos I’ve seen on the art of storytelling. All of these resources, the book and the videos have one idea in common – be respectful of the intelligence of the audience.  Give the reader/viewer something for the mind to work on without explicitly stating it. In other words show, don’t tell. This is easier said than done.

Anyway, here are the videos:

George Saunders on Storytelling (Coarse language alert)

Ken Burns on Storytelling

Ken Burns: On Story from Redglass Pictures on Vimeo.

Ira Glass on Storytelling

Kurt Vonnegut on Storytelling

Daily Create: It’s just like riding a bicycle

This semester in my Digital Media 2 class, we are collaborating with the open course DS106 started at the University of Mary Washington. One important part of that experience is the Daily Create exercise. Each day, a new creativity assignment is posted and we are invited to respond, sharing our work online.

Today’s Daily Create was called It’s Just Like Riding A Bicycle. We were asked to post a picture of our bike, or of anything related to bicycles. Well, my bike is at home, and I’m at work, and while I found this old photo of my kid riding her bike, when she & I took a 15 mile ride over to the next town, I thought that sharing an old photo would be too easy.

emilyOnBike

So I searched for a picture of one of the most notable bicycle owners of all time, Pee Wee Herman. I found this:

Then I made a sketch in my sketchbook. I used my iPad to make a photo, and posted it on Flickr. Then I used the embed code to share it here with you for today’s Daily Create:

peeWeeBike

Clyde 150th Celebration

KSU Digital Media Students

In our first week of class, the KSU Digital Media team (KSUDigMe for short) recorded a history of Clyde, Kansas to help celebrate the sesquicentennial (150th) anniversary of its founding. This coming Labor Day weekend, several thousand people from all over will attend the annual Clyde Watermelon Festival and hear this recording.

We spent over an hour taking turns reading the various nuggets of Clyde’s history. Then I spent the weekend editing the recordings down into a half hour recording using Adobe Audition. I also added some instrumental background music I found online. What a great way to start a semester!

Here is the track that is currently playing in downtown Clyde:

We received the following message from the Clyde 150th celebration planning committee:

Thank you so much to all of you involved in our recording of business histories for Clyde’s 150th Birthday!  We are seeing people randomly sitting on our city benches just listening to your recording!  They are enjoying it very much.  We also invite any of you who would like to join us for our celebration
to come to Clyde, Kansas this week and weekend!  It would be wonderful to meet you in person, but if we don’t, you have touched our community with your voices!

Thanks again.

Brenda Koch and the 150th Planning Committee

 

C-64 8 Bit Graphics

I was perusing through past “Daily Create” exercises that I missed this summer, and one that caught my eye was titled C64 Yourself. I remember those early days of personal computers well, when if you could see a picture of any kind, you were doing well. The 64yourself website is a really fun simulation of what it was like to use a Commodore 64. computer.

I uploaded a photo of my daughter Emily playing softball. I reckoned that for an 8-bit photo to work well, it shouldn’t have a lot of fine detail, and should depict a recognizable scene. That’s why I thought softball might be a good candidate. I sent her the following tweet:

When we talked about it this morning before school, she said it was ok, but she likes pictures that look more realistic. Like actual copies of reality. To me, this has a more stylized, artistic feel to it. Actual copies of reality are everywhere. What is more, this is an actual copy of the reality that was back in the 1980’s. Guess I need to send her the hi-rez version now. She wanted that one.

First Daily Create for Fall 16

I haven’t been very good about making regular blog posts for a long time. I aim to work on that this semester. We have a good bunch of students in Digital Media Technology this year. My 2nd year students are studying digital storytelling with me and the DS106 community. This semester’s theme is “This Is The Internet” and we are looking at various aspects of internet and computer history over time. And just to add to the fun, we are connecting all of this to the years ending in the number “6” as in 2016, 1996, 1966 and so on. I’ve challenged students to put a “6” easter egg in their work this semester. We’ll see how that goes.

So to kick things off personally, I took a few minutes to complete today’s Daily Create exercise. Each day, a new creative exercise is posted at create.ds106.us. Today’s challenge was:

Show us in a photo something in your life, home, that moved from a state of order to disorder or the other way, from disorder to order. What is the energy state?

Others today are typically showing messes that they afterwards straightened up. I didn’t have time for that so here was my solution:

The Other Side of the MOOC Fence

The Other Side of the MOOC Fence

An opinion essay on the utility of MOOCs from the perspective of a small campus professor.

By Tim Bower, Kansas State University | Polytechnic Campus

In the last three years, I have participated as a student in several MOOCs (massive online open courses). I finished some and found that I didn’t have the time for some – about the same as reading a book. In fact, MOOCs are a lot like a textbook to me. They are a resource that can facilitate learning. I advocate that MOOCs can and should play a significant role in higher education pedagogy; but that for long term sustainability of MOOCs, all higher education stakeholders need to regard the role of MOOCs the same as the traditional role of textbooks. MOOCs can be a positive benefit to the faculty and institutions that teach them, to publishers that facilitate their distribution, to both degree seeking and life-long learner students, and even to smaller campus institutions and their faculty.

There is broad agreement within academia that, like textbooks, MOOCs are a resource. However, unlike textbooks, opinions are split about other things that MOOCs are or are not.
Are they :

  • A threat to the traditional classroom and degree granting collegiate institutions?
  • A get-rich-quick scheme for large universities, or a venue for faculty to give away the university’s valuable produce for free?
  • A venue for recruiting students or establishing credibility and notoriety?
  • An opportunity for faculty and institutions to demonstrate their benevolence and endorsement of free and open sharing of creative works?

All of the above have elements of truth. However, as is the case for textbooks, the correct answer to all of these identity questions about MOOCs is and should be – no. Trying to attribute more to the identity of MOOCs than that of a learning resource is not in anyone’s best interest.

If you are not familiar with MOOCs, let me explain what I am talking about. MOOCs offer a low cost, or free, online peek into the classrooms of successful faculty at prestigious schools teaching their most popular courses. The instructional content is usually of exceptional quality. The course material is often the same, although sometimes a subset, of the material taught in undergraduate and graduate level courses at the host institution. The faculty teaching these course are experts in the subject being taught. They are usually assisted by a team of graduate students and support staff that assist with responding to questions in online forums, creation and automated grading of assignments, developing the lecture slides, and video recording and editing. Some MOOCs are available to the general public as a set of lecture videos and may be viewed at any time and in any order for the benefit of the viewer as they see fit. Other MOOCs are structured more like a college course with a schedule of deadlines for completing homework assignments and exams. The courses with assignments and exams may also offer non-credit certificates of completion for a small fee. Paying the fee for a certificate can serve as motivation for the student to complete the course and offers proof of their accomplishment.

Like authoring a textbook, teaching a MOOC is not for all faculty. The MOOC instructor should have extensive experience in the course material and the luxury of help from graduate students and a support staff. It is acceptable that most faculty in the course of their teaching use textbooks authored by others. It is less acceptable to use lectures presented by someone else. While authoring a book is optional, lecturing is obligatory for all faculty.

There is much talk in academics about the so-called flipped classroom, where students are expected to view lecture videos outside of class while the class sessions are intended to be conducted more as a recitation or laboratory. The video lectures for a flipped class are usually recorded by the instructor who is also teaching the recitations. What if MOOC lectures were used in a flipped classroom setting? Would the instructor still be teaching or would they be shirking their responsibility? In such a setting, the instructor would still be responsible for all course content. They would have the option to select what lectures and assignments from one or more MOOCs to incorporate into their class. In the recitations, the instructor would assign homework, give exams, and lecture to clarify the content, provide remedial instruction, or extend the material beyond that covered in the MOOC. In this scenario, students are assured that what they are learning is accurate, current, and in-line with what students at other institutions are learning. I feel that such a model can level the playing field between small and large campuses. It can also be a stimulus to raise, or maintain, the level of academic rigor on small campuses.

Does this threaten or diminish the value of faculty on small campuses? I think that it does not. I think it could enable faculty to be more productive. Speaking for myself, I feel that I’m a very competent teacher. Yet, I freely admit that I do not have the same level of specialized knowledge as the instructors of the MOOCs that I have taken. That is not being self-effacing or diminutive. I have a much higher and broader teaching load than they do. Pretty much every aspect of my job as a professor on a small campus is different than that of the faculty that teach MOOCs.

Textbook publishers eagerly solicit faculty to select the books they peddle for adoption in their courses. Perhaps, within the ever-changing world of higher eduction, it is time for the publishers of MOOCs, such as Coursera, Udacity, and others, to peddle affordable, licensed use of MOOC lectures.

More importantly, it is time for all faculty, students, and administrators to define MOOCs for what they are – a resource to facilitate learning, and nothing more. It is well accepted that higher education in the future will look very different than it did in the past. Perhaps MOOCs will play a key role in the future of higher education.